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One Dark Night

One Dark Night is a 1983 American supernatural horror film directed by Tom McLoughlin and starring Meg Tilly, E. G. Daily, and Adam West. The film follows three teenagers sent to a mausoleum for the night as part of a high school initiation rite. A dead, telekinetic occultist returns from the dead and haunts them, forcing the three to survive the night inside the crypt.

The film was conceived and filmed under the title Rest in Peace before Poltergeist, but due to post-production problems, the film was delayed and was released in theaters in 1983 by Comworld Pictures.

Plot[]

Six girls have been found murdered in the apartment of famed Russian occultist Karl Raymarseivich Raymar and the police cannot explain it. When Raymar's body was lifted onto a stretcher, bolts of electricity shot out from his fingers. His estranged daughter Olivia McKenna (Melissa Newman) and her husband Allan (Adam West) are unaware of this until they meet Samuel Dockstader (Donald Hotton), a feature writer for The World of the Occult; as a friend of Raymar, Dockstader explains that Raymar was a psychic vampire who gained great powers of telekinesis by kidnapping young girls, terrorizing them, and feeding off the bioenergy they produced. Allan does not believe him, but Dockstader shows Olivia a set of photographs to demonstrate how bioenergy works and gives her an audiotape that outlines his findings, which convinces Olivia to believe him.

Meanwhile, High school student Julie Wells (Meg Tilly) wants to be part of a club entitled The Sisters, which consist of three snobby high school girls named Carol (Robin Evans), Leslie (E. G. Daily), and Kitty (Leslie Speights). Unfortunately, Carol is the ex-girlfriend of Julie's new boyfriend Steve (David Mason Daniels), and is jealous. She intends to get back at Steve and Julie by making Julie spend a night alone in a mausoleum, unaware that Raymar's body was just entombed there. That evening, Julie is dropped off by only Carol and Kitty, as Leslie had refused to accompany them on the plan. Julie explores the mausoleum and sets up her sleeping bag, unaware of the cracks that appear around Raymar's vault.

Carol and Kitty, hoping to scare Julie, dress up in costumes and sneak back into the mausoleum. While they succeed in frightening Julie who locks herself in the chapel, they are unaware that Raymar is slowly reawakening by using his powers to make the walls shake, windows explode, and door slam shut. Before Carol and Kitty decide to leave, Raymar's powers open up the vaults containing coffins inside and many rotting cadavers telekinetically float and surround the girls before they pile on top of them to suffocate them.

Meanwhile, Steve has gone over to Julie's house to find her missing. He catches up with Leslie, who reluctantly tells Steve about Julie's initiation, and Steve angrily heads over to the mausoleum. At the same time, Olivia dashes over after learning about her father's powers and the possibility that she might also possess them. Back at the mausoleum, Raymar finally breaks out of his coffin and controls the rotting corpses and the doors with his psychic powers. Just when Steve breaks in and finds a hysterical Julie, they become surrounded by the cadavers that advance toward them. Steve tries to fight the corpses, but they knock him out. Raymar pulls a dazed Julie closer to him before Olivia arrives to save her. Ultimately, Olivia takes her compact and reflects the bolts from Raymar's eyes back at him, causing Raymar and the cadavers to disintegrate, saving Julie and Steve.

The three, including a now traumatized Julie, begin slowly walking out of the mausoleum. The film ends with Kitty's toothbrush seen near the mound of corpses inside the empty mausoleum before a corpse falls in front and emits a scream.

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